Entertainment Weekly released an interview with Naren Shankar on the casting of Bobbie Draper, and along with it a few early photos of the Martian Marine in her natural habitat. Go check it out.
by Ty Franck
by Ty Franck
So, yeah, casting.
We’ve talked about how this works before. Casting is one of the hardest, most important things we do. Getting the right actors into the right roles is critical and complicated and hard.
When casting you will watch dozens or sometimes hundreds of actors read for a single part. And all of them (OK, not all, but really the vast majority) will have something to recommend them: the right look, the right ethnicity, the right height, the best acting chops, the best availability, the most affordable rate, the best chemistry with the other actors, and on and on.
You have to be flexible with it. Ready to let go of your preconceived image of the character and see what happens with the skills and toolboxes and talents that come up. If you’re lucky, you find great new versions of the characters to bring to life. But no actor, however awesome, matches exactly what you had in your head walking in. That’s just too much to expect.
So let’s talk about casting our favorite Martian Marine, Gunnery Sergeant Roberta W Draper, 2nd Marine Expeditionary Unit, Force Recon.
Bobbie Draper has athleticism and a sense of peak fitness and physical training. She’s a Spec Ops warrior at the top of her game. Confident.
Bobbie’s also Polynesian. (She’s described as Samoan in the books, but there are many people’s from the islands in that part of the world that would have had the right look.)
She’s tall. Gunny Draper should never have to look up at anyone. She dominates any room.
That’s a hell of a lot to ask for. And then we asked for more.
We put her through hell in our second book. Whoever takes the role needed to be able to cover a lot of ground emotionally. Strength, sorrow, vulnerability, fierceness. You have to be a seriously talented actor to do all that in addition to everything else we’re already looking for.
So what did we compromise on?
Turns out, nothing.
Meet Frankie Adams.
by Daniel Abraham
by Daniel Abraham
Well, the first season finale aired last night, and now we have that illusion of a lull while the output of our labor coasts for a while and we knock our brains out doing the next season and the next novel and the next novella.
But still, it seemed like a good time for a few closing thoughts.
It’s an honor and a pleasure to work on the show. The team on this was astounding, and the education was intense. Alcon’s support and confidence through all this was invaluable. Visual media and the storytelling that goes on there is fascinating and complex. The management of a human mechanism with this many moving parts and one single purpose was like watching a brain from the inside. The actors who’ve brought our characters (and a few extra besides) onto the screen were amazing and wonderful. Even if this were the end of the project, I’d have nothing to complain about.
But it’s not the end of the project.
I owe a debt of gratitude to the fans and viewers who came to play, watched the show and talked about it with their friends and on social media. That conversation is part of our zeitgeist, and we wouldn’t have managed what we’ve done so far without you.
And in that spirit, the critics and reviewers, too. Even the ones who didn’t like it. Having The Expanse also be part of conversations about translations between media, diversity, futurism, basic science, shifting paradigms of television distribution, and the history of filmed SF may be the most gratifying thing about this.
In the gap between the first season and the second, I hope the show finds even more of its audience. For one thing, I think it rewatches/binges really well. I know I’m watching the whole damned thing this weekend.
And still, that said…
In the rollout of the show, I’ve been very active on social media. Now that we’ve put on our play and taken our bows, I’m going to have to step back from the world a little and focus on some stuff that needs focusing on. Someone will still have eyes on the accounts, and if something’s critical it’ll filter back to me. Any big news, I’ll hop on and let y’all in on it.
[ED: A previous version credited Alcon with putting the team together, but Jason Brown of the Sean Daniel Company rightly pointed out that the core team — Mark, Hawk, and the books themselves — were facilitated by others even before Alcon signed on to back us all. So a special thanks and acknowledgment to Jason Brown, the incomparable Sean Daniel, and Ben Cook]
by Daniel Abraham
So this is cool…
SYFY RENEWS THE EXPANSE FOR SECOND SEASON
— Acclaimed Series from Alcon Television Group Currently Airing Tuesdays at 10PM ET/PT —
NEW YORK – December 31, 2015 – Syfy announced today that it has renewed its critically-acclaimed series THE EXPANSE for a second season. The 13-episode second season from Alcon Television Group is expected to air in early 2017.
“THE EXPANSE is firing on all cylinders creatively, building a passionate fan base among viewers and critics alike, and delivering on Syfy’s promise of smart, provocative science fiction entertainment. We can’t wait to see where the story takes us in season two,” said Dave Howe, President, Syfy and Chiller.
Currently airing on Syfy Tuesdays at 10PM ET/PT, THE EXPANSE has garnered strong multiplatform viewership since its December 14 debut, with 4.5 million viewers sampling the first episode on Syfy.com, On Demand and digital outlets prior to the series’ linear premiere, and an average of 1.6 million P2+ linear viewers (L3) in its first three episodes.
Set 200 years in the future, THE EXPANSE follows the case of a missing young woman that brings a hardened detective (Thomas Jane) and a rogue ship’s captain (Steven Strait) together in a race across the solar system that will expose the greatest conspiracy in human history.
In the episode premiering next Tuesday, January 5 at 10PM ET/PT — the fifth in the 10-part first season – Holden (Strait) and his crew make a deal with an unlikely ally (Chad Coleman). Meanwhile Detective Miller’s (Jane) obsession over the missing Julie Mao (Florence Faivre) continues to grow. Shohreh Aghdashloo also stars as Chrisjen Avasarala, along with Dominique Tipper, Cas Anvar and Wes Chatham. [Trailer for Episode 5: http://www.syfy.com/theexpanse/videos/the-expanse-next-episode-back-to-the-butcher]
Academy Award-nominated screenwriting duo Mark Fergus and Hawk Ostby (“Children of Men,” “Iron Man”) serve as writers, as well as executive producers and showrunners. Executive producer Naren Shankar (“CSI,” “Farscape”) is also showrunner.
THE EXPANSE is financed and produced by Alcon Television Group (ATG), a division of Alcon Entertainment. Alcon co-founders and co-CEOs Andrew Kosove and Broderick Johnson serve as executive producers along with former president of Alcon Television Sharon Hall. Alcon Television executive Ben Roberts serves as co-producer. Sean Daniel and Jason Brown of the Sean Daniel Company are executive producers. Ben Cook serves as a producer.
The series is based on the New York Times bestselling book series collectively known as The Expanse, written by Daniel Abraham and Ty Franck (under the pen name James S. A. Corey).
THE EXPANSE is part of a powerhouse Syfy original lineup that includes upcoming 2016 scripted series THE MAGICIANS (January), based on Lev Grossman’s best-selling novels, HUNTERS (April), from “The Walking Dead” executive producer Gale Anne Hurd, and the second season of the critically acclaimed 12 MONKEYS (April). Additional high profile scripted projects in development include INCORPORATED, a futuristic espionage pilot from Matt Damon and Ben Affleck’s Pearl Street Films; Aldous Huxley’s classic novel BRAVE NEW WORLD with Steven Spielberg’s Amblin Television; and David Goyer’s Superman prequel, KRYPTON.
Twitter: @ExpanseSyfy #TheExpanse
Syfy is a media destination for imagination-based entertainment. With year round acclaimed original series, events, blockbuster movies, classic science fiction and fantasy programming, a dynamic Web site (www.Syfy.com), and a portfolio of adjacent business (Syfy Ventures), Syfy is a passport to limitless possibilities. Originally launched in 1992 as SCI FI Channel, and currently in 96 million homes, Syfy is a network of NBCUniversal, one of the world’s leading media and entertainment companies. NBCUniversal is a subsidiary of Comcast Corporation. (Syfy. Imagine Greater.)
by Ty Franck
Here are a few of the places you can watch the early Nov 23rd VOD release of The Expanse pilot episode.
by Ty Franck
I have news about The Expanse screening at the Jean Cocteau theater in December.
Daniel and I will be doing a signing at the theater on Dec 3rd at 4pm. Everyone is invited to see us talk and deface books. Books, including our new Tie-In cover edition, will be available at the theater. Or, feel free to bring your own from home. We’re happy to sign anything.
More exciting news! The first fifty (50) people to arrive at the signing will receive tickets for priority seating at the two episode sneak peek of the show later that night! If you want to make sure you don’t miss our show, just come hang out at the signing and if you’re one of the first fifty you are guaranteed a seat.
The screening of the two episode sneak peek will be later that night, December 3rd, at 8:30pm. Daniel and I will be on hand to introduce the show and talk a bit about it, and we’re going to try and have a few special guests hang out with us and say hi to the crowd.
You can find information about the Jean Cocteau Theater here http://www.jeancocteaucinema.com/
Find a trailer for The Expanse here
We hope to see you there!
by Ty Franck
by Daniel Abraham
Once upon a time, there was a post here with images of some really cool Expanse posters. But then a bunch of asshole pirate sites started reusing the images by linking to my ISP’s servers and driving the traffic through the roof.
*This* is whew can’t have nice things.
Tim Bradstreet? Still a god, though.
by Daniel Abraham
I’ve just sent in the last changes to The Spider’s War, the last book of The Dagger and the Coin. All in all, it’s about 700,000 words to finish the story I began with an apostate priest being hunted through the mountains.
I started the project with a couple of goals in mind: I wanted to understand what epic fantasy was, and I wanted to make one that scratched all my personal itches. To aim for the first, I called a meeting with some of the best minds I knew. Seven — almost eight — years ago, I went to Melinda Snodgrass’s house outside Santa Fe and spent the day with George RR Martin, Walter Jon Williams, S. M. Stirling, Ty Franck, Ian Tregillis among others talking about what fantasy is, how it works, what its history is, speculating on its future. Then a few weeks later, a group met at my house to break the whole five-book series. Some characters who I thought I wanted were left behind in that process. The arc of the whole story was put in place. Critical scenes in the third book and the fifth were talked through. And then I started writing.
A lot of things have happened since then. Not all of the people I began this with are still around now. The circumstances of my life have shifted, as any seven years will do. I heard once that the myth of breaking a mirror being seven years bad luck was because we get new souls every seven years. I assume that’s a metaphor, and I see what it’s a metaphor of.
I will not be spending any more time with Cithrin bel Sarcour or Marcus Wester. Yardem Hane or Master Kit. Gender Palliako. Clara Kalliam. They’ve done everything I asked them to do, and often better than I’d hoped. I’ve finished two epic fantasies now. The Long Price Quartet and The Dagger and the Coin are, for the moment at least, my argument about the nature of epic fantasy — what is fantasy and what ‘epic’ means. I don’t think I could have said when I meant more concisely. Between the two series, I have written over a million words in this genre. I feel fairly pleased with what I’ve managed.
I don’t know what else I have to say about the genre for now, but I have some new projects I’m working on. I’ve also done a five book urban fantasy series, and I’m a little over half way through The Expanse, which promises to dwarf them all. It’s all delightful.
There’s a sadness in endings, and also a joy.
The Dagger and the Coin is ended. And I am pleased to say, I think it’s ended well.
I’ll start something new tomorrow…